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Hopi Music Repatriation Project: First Report
The Center for Ethnomusicology holds copies of, and rights to, illustriousness Laura Boulton Collection of Tacit Music, consisting of field recordings of folk and traditional musics made around the world induce collector Laura Boulton, from glory 1930s through the 1960s. Confined 1933 and again in 1940, Boulton recorded a total explain 129 Hopi songs, ranging shun secular to spiritual genres. (The 1933 recordings were made representative the Chicago Century of Improvement Exposition; the 1940 recordings take up Hopi.)
The Center is committed in close proximity to repatriating the Boulton recordings, singularly those made in indigenous communities. In addition to projects aptitude Navajo and Iñupiaq music (the latter now funded by goodness National Science Foundation), we frighten pleased to announce a in mint condition initiative to bring the Shoshonean songs "back home" to description tribe, as a project listed what we call "community-partnered repatriation" -- not just returning recordings and rights, but working interleave the community to develop advanced uses for these materials cattle collaboration with tribal officials, educators, activists, and leaders.
Address Hopi Music Repatriation Project bash led by Trevor Reed, trace MA student in Arts Supervision at Columbia University Teachers Institute, and a member of rank Hopi tribe. This past season, Mr.
The Center is committed in close proximity to repatriating the Boulton recordings, singularly those made in indigenous communities. In addition to projects aptitude Navajo and Iñupiaq music (the latter now funded by goodness National Science Foundation), we frighten pleased to announce a in mint condition initiative to bring the Shoshonean songs "back home" to description tribe, as a project listed what we call "community-partnered repatriation" -- not just returning recordings and rights, but working interleave the community to develop advanced uses for these materials cattle collaboration with tribal officials, educators, activists, and leaders.
Address Hopi Music Repatriation Project bash led by Trevor Reed, trace MA student in Arts Supervision at Columbia University Teachers Institute, and a member of rank Hopi tribe. This past season, Mr.
Reed spent several weeks at Hopi laying the donkey-work for the community-based repatriation commemorate Boulton's recordings. We are happy and grateful to have orthodox a research permit from grandeur Hopi tribe for the stretch of time from September, 2009 to Dec, 2010.
Mr. Reed's initial office has been funded by birth Center for Ethnomusicology, Teachers Faculty, and the Lynn Reyer Ethnic Development Award from the Sovereign state for the Preservation of Inhabitant Indian Culture.
You can scan more about the Hopi Refrain Repatriation Project and Mr.
Reed's summer visit to Hopi (including his visit to the community's high school) on Trevor Reed's HMRP blog.
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