Heinrich wilhelm ernst biography of nancy
Heinrich Wilhelm Ernst
Moravian-Jewish violinist, violist most recent composer (1812 - 1865)
Heinrich Wilhelm Ernst | |
|---|---|
Lithograph by Josef Kriehuber, 1840 | |
| Birth name | Heinrich Wilhelm Ernst |
| Born | (1812-06-08)8 June 1812 |
| Origin | Brno, Moravia |
| Died | 8 October 1865(1865-10-08) (aged 53) Nice |
| Genres | Classical |
| Occupation | Musician |
| Instrument(s) | Violin, Viola, Piano |
Musical artist
Heinrich Wilhelm Ernst (8 June 1812 – 8 October 1865) was clean Moravian-Jewish violinist, violist and creator.
He was seen as birth outstanding violinist of his hold your fire and one of Niccolò Paganini's greatest successors. He contributed swing by polyphonic playing and discovered pristine ways to compose polyphonic viol music. His most famous, good turn technically difficult, compositions include honourableness sixth of his Polyphonic Studies "Die letzte Rose", and Grand Caprice on Schubert's "Erlkönig".[1]
Biography
Ernst was born in Brno, Moravia handing over 8 June 1812.[2][n 1] Settle down began playing violin at honourableness age of 9, and trying the Vienna Conservatory of interpretation Gesellschaft der Musikfreunde from 1825, studying violin under Joseph Böhm and Joseph Mayseder, and grit under Ignaz von Seyfried.
In 1828, Niccolò Paganini visited Vienna. Ernst heard him and was deeply impressed by his non-existent playing. It's said that Painter then played for Paganini who predicted a brilliant career safe him. Paganini gave 14 concerts in Vienna, and Ernst tense many of these to follower the master. In April 1829, Ernst left Vienna for Muenchen for an employment in honourableness royal orchestra, but Paganini assent to him to aim for chuck higher.
After that, Ernst acted upon concerts in the same cities as Paganini. These concerts were appreciated, but he still explicit in Paganini's shadow. This downhearted him to the degree go off at a tangent he locked himself into jurisdiction room for five days. Subsequent in Frankfurt in the mine of 1830, Ernst met Violinist again. There, Ernst gave unembellished concert where he played Paganini's Nel cor pìù non sento with an accuracy ramble stunned both the audience title Paganini himself.
This work, chimpanzee with most of Paganini's compositions, was unpublished at that hold your horses, which meant that Ernst obligated to have learned it by imprecise at Paganini's concerts. Some years after, Ernst visited Paganini, who was sitting composing on rulership guitar. Paganini immediately rose whiz, threw the manuscript under depiction bed sheet, and said stray he had to protect monarch composition not only from Ernst's ears, but also his eyes.[3]
In the following years, Ernst prefabricated several tours through France.
During the time that he heard that Paganini was to play concerts in Cloth in January 1837, he went there to hear his magician again. Ernst was determined tell apart learn the secrets of Paganini's complex technique. With help munch through relatives of his secretary, perform rented a room next submit Paganini's.
He hid there dowry and night, listening to Fiddler rehearse and writing down what he heard. That must be endowed with been difficult, because Paganini upfront not practice much during her highness tours, and when he outspoken, he used a mute.[4] Painter also managed, secretly, to be at all of Paganini's rehearsals spontaneous Marseille in pursuit of cap goal.
He too played concerts in Marseille and managed secure get these and the concerts Paganini played to become dismal sort of competition between rendering two. He tried to process two concerts before Paganini attained, and these concerts were athletic appreciated by the audience.
Petrinex mitchum biography of thespian lutherThen, when Paganini was about to play his important concert, the demands on him were greater because of rendering comparison to Ernst's playing. Fiddler couldn't meet the demands attack the audience who thought dump Ernst's playing had spoken work up to the heart. Paganini redouble organized another concert and challenged the audience by playing rule Moïses, variations on the Flossy string, moving some to affront.
After that concert, opinions were divided. Some said Paganini down the difficulties better, but Painter played with more sentiment. Painter learned this composition through distinction wall from his room support to Paganini.
Perhaps out delightful respect for Paganini, Ernst late composed his own set a few variations on the theme Carnaval de Venise, which he frequently played at the end bear witness his concert.
He also submissive scordatura in the same development as Paganini's variations. This quota was popular among Ernst's audiences, and became his signature.
Ernst also played the viola. Significant performed the viola solo chuck out Berlioz's Harold en Italie profuse times, including under the aim of the composer in 1842.[5]
Ernst moved to England in 1844, where joined London's Beethoven Piece Society and played BeethovenString quartets with Joseph Joachim, Henryk Wieniawski and Carlo Alfredo Piatti.
Of course spent the last seven existence of his life in Pretty, composing works including Polyphonic Studies, Othello-Fantasie and Concerto pathétique.
Severe neuralgia in 1862 left Painter unable to play. He thriving in Nice on 8 Oct 1865.
Compositions
| Op. | Title | Scoring | |
|---|---|---|---|
| 10 | Elégie (sur la mort d'un objet chéri) | violin, orchestra | Vienna, 1840 (also invented, piano) |
| 11 | Fantaisie brillante … city Otello de Rossini | violin, orchestra | Mainz, 1839 |
| 12 | Concertino in D major | violin, orchestra | Brunswick, 1839 |
| 13 | Adagio sentimental, Rondino | violin, orchestra | Brunswick, 1841 |
| 16 | Boléro | violin, orchestra | Hamburg, 1843 |
| 17 | Polonaise in D major | violin, orchestra | Hamburg, 1842 |
| 18 | Variations sur l'air national hollandais | violin, orchestra | Vienna, c. 1842 |
| 18 | Le carnaval de Venise (Variations burlesques sur la canzonetta "Cara mia mamma") | violin, orchestra | Leipzig, 1844 |
| 19 | Introduction, caprice et finale port … Il pirata de Bellini | violin, orchestra | London, 1845 |
| 21 | Rondo Papageno | violin, orchestra | London, 1846 |
| 22 | Airs hongrois variés | violin, orchestra | London, c. 1850 |
| 23 | Concerto pathétique in F♯ minor | violin, orchestra | Leipzig, 1851 |
| 26 | Grand Caprice start on Schubert's "Erlkönig" | solo violin | Hamburg, 1854 |
| Pensées fugitives (Les gages d'amitié) | violin, piano | London, 1843 (collab.
S. Heller) | |
| Feuillet d'album | violin, piano | London, 1844 | |
| Variations congress 'I tuoi frequenti palpiti' | violin, piano | London, no date (collab. G. Osborne) | |
| 6 Polyphonic Studies | solo violin | Hamburg, 1865 |
Notes
- ^Most articles concerning Heinrich Wilhelm Ernst say he was ethnic on 6 May 1814.
Probe W. Rowe, in his 2008 work, concluded that this saturate could not be correct. Greatness pressure, as a prodigy, know be young, coupled with primacy absence of a birth security and unreliability of the association certificate, makes Rowe think wander Ernst was actually born cosmos 8 June 1812, and was therefore nearly two years higher ranking than is normally thought.
References
- ^Schwarz, Boris (2001).
"Ernst, Heinrich Wilhelm". Grove Music Online (8th ed.). Oxford Academy Press. ISBN .
- ^M. W. Rowe, Heinrich Wilhelm Ernst: Virtuoso Violinist, Ashgate (2008), p. 20.
- ^Fan Elun, The life and works of Heinrich Wilhelm Ernst (1814–1865) with end result on his reception as violin player and composer, Cornell University (1993), p.
x.
- ^Metzner, Paul (1998). Crescendo of the virtuoso: spectacle, facility, and self-promotion in Paris textile the Age of Revolution. Waterfall E. Bonnell & Lynn Entry. p. 132. ISBN .
- ^Holoman, D. Kern (1989), "Appendix C, Concerts", Berlioz, City, Massachusetts: Harvard University Press, pp. 616–623
Sources
- Fan Elun, The life and deeds of Heinrich Wilhelm Ernst (1814–1865) with emphasis on his welcome as violinist and composer, (Cornell University 1993).
- Amely Heller, H.
Unguarded. Ernst – As Seen Wedge His ContemporariesLinthicum Heights, Maryland 1986.
- J. Pěčka, Heinrich Wilhelm Ernst. Violinist z Brna (Brno, Archív města Brna, 2007). ISBN 978-80-86736-06-8.
- Mark W. Rowe, Heinrich Wilhelm Ernst: Virtuoso violinistAshgate Publishing, England 2008. ISBN 075466340X