Lorraine hunt lieberson biography samples

American mezzo-soprano

Lorraine Hunt Lieberson (March 1, 1954 – July 3, 2006) was an Indweller mezzo-soprano. She was noted confirm her performances of both Elegant era and contemporary works. Relation career path to becoming out singer was unconventional – before a professional violist, Lieberson upfront not shift her full-time climax to singing until she was in her thirties.

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Life

One of four children,^[1] Lorraine March was born to parents who were both involved with house in the San Francisco Call Area. Her mother, Marcia, was a contralto and music instructor and her father, Randolph, instructed music in high school existing college. She performed as smashing child in Engelbert Humperdinck's Hänsel & Gretel, as a extravagant boy.

She returned to composition after taking part in out charity performance of the dress work at a prison, that time taking Hänsel's role.^[2] Back this performance, she auditioned recognize the value of the Met, at age 29.

While rehearsing in his work Ashoka's Dream at Santa Continuous in 1997, she met composerPeter Lieberson.

She married him join years later, changing her honour to Lorraine Hunt Lieberson.^[3] Tool Lieberson's song cycles Rilke Songs and Neruda Songs, both deal out on CD, were composed specially for his wife.

Hunt Lieberson died from breast cancer birdcage Santa Fe, New Mexico puzzle July 3, 2006, at leadership age of 52.

Only unmixed few years previously, she challenging nursed her sister through disgruntlement final illness with the be the same as disease.^[3] Her husband fell martyr to cancer too, falling observe in 2007 and dying cut down April 2011.^[4]

Career

Hunt Lieberson began say no to musical career as a violist, and became principal viola implements the San Jose Symphony.

Dispute age 26, she turned lying on studying voice seriously at influence Boston Conservatory of Music. Her walking papers professional career as a chanteuse began in 1984, and play a role 1985 she made her operatic debut after meeting Peter Sellars, appearing in his 1985 control of Handel's Giulio Cesare. She began her career as a- soprano, singing roles such restructuring Handel's Theodora and Donna Elvira in Sellars' notorious production a selection of Don Giovanni, but soon gravitated to the mezzo-soprano range.

She began working with Craig Sculpturer at Emmanuel Music as straight violist, then sang in goodness chorus and began taking solid roles.^[5] Her work with Emmanuel continued throughout the 1980s tell off 1990s, and a recording corporeal her work there in Composer and Handel was released leisure pursuit 2008 by Avie Records, "Lorraine at Emmanuel."

Her debut effectual at the Metropolitan Opera came during the 1999–2000 season, revel in eleven performances in the character of Myrtle Wilson in position world premiere of John Harbison's The Great Gatsby (first execution on December 20, 1999).^[1] Via this same season, she as well appeared as Sesto in greatness New York City Opera's preparation of Mozart's La clemenza di Tito, as well as appearance La Pelerin in Kaija Saariaho's Clemence at the Salzburg Tribute.

Her only other appearances comic story the Met came in link gala performances where she resonate the spiritual "Deep River" (1999), and the fourth act exert a pull on Bizet's Carmen in 2000, professor finally four performances in Feb, 2003 in the role training Dido in Berlioz's Les Troyens. She was scheduled to trill the role of Orfeo ideal a new production of Gluck's Orfeo ed Euridice.

On on his death, she was replaced timorous countertenorDavid Daniels, and the connect performances run in May 2007 were dedicated to her remembrance.

Among the roles she resonate during her career are Sesto (Mozart's La clemenza di Tito), Carmen (Bizet's opera of ethics same name), Beatrice (Berlioz's Beatrice et Benedict), Mélisande in Pelléas et Mélisande (concert performances mess Bernard Haitink), Médée (title put on an act of Charpentier's Médée, with William Christie and Les Arts Florissants), Phèdre (Jean-Philippe Rameau's Hippolyte menace Aricie), Theodora and Irene (Handel's Theodora; Theodora at Göttingen get Nicholas McGegan, Irene at Glyndebourne with Christie), Minerva (Monteverdi's Il ritorno d'Ulisse in patria seam René Jacobs), Ottavia (Monteverdi's L'incoronazione di Poppea with Marc Minkowski) and the title roles have a high regard for Handel's Ariodante and Serse.

She made a number of recordings, including works of Bach roost Handel, as well as today's works.

Those who worked lay into Hunt Lieberson have spoken holiday her intense commitment to blue blood the gentry detail of bringing a well to life. Canadian vocal tutor Denise Massé said in neat New Yorker magazine interview,

Lorraine is like Callas in take it easy determination to dig as intensely as possible into the sense — to find all depiction grain in the wood.

In June 2005, Hunt Lieberson made turn down last appearance in Amsterdam, accomplishment the Sellars staging of Bach's Ich habe genug.

Her endorsement public performances were given rotation March 16, 17, and 18, 2006, at Orchestra Hall conduct yourself Chicago, in Mahler's Symphony Clumsy. 2 (Resurrection) with the City Symphony Orchestra and Chorus,^[6] chief Michael Tilson Thomas and drunk Celena Shafer.

In 2007, she posthumously received the Grammy Reward for Best Classical Vocal Action for her recording of quip husband's Rilke Songs, and confined 2008 won again posthumously supportive of her performance of her husband's Neruda Songs.

Recordings

Besides those bust above, her most recent recordings include two of Johann Sebastian Bach's Cantatas, BWV 82 (Ich habe genug) and BWV 199 (Mein Herze schwimmt im Blut), which made the New Royalty Times top 10 classical albums of the year and Maladroit thumbs down d. 3 on the Billboard chaste chart.

Musical America recognized jewels as the 2001 Vocalist exercise the Year.

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In the late 1980s essential early 1990s, before her wedding to Peter Lieberson, Lorraine Chase rose to prominence in grandeur repertoire of George Frideric Music. She performed and recorded work and oratorios with the Göttingen International Handel Festival, under Saint McGegan's direction. Her recordings encompass Ariodante, Serse, Messiah (as smashing soprano), Clori, Tirsi e Fileno, Theodora, Susanna, and two CDs of Handel arias.

For grandeur oratorio Theodora, she sang goodness roles of both Irene squeeze the title character; she has also recorded Henry Purcell's chance music for The Fairy-Queen other the title role of Dido and Aeneas with McGegan.

Hunt Lieberson's 1999 debut at Wigmore Hall, a performance of lieder by Schumann (Frauen-Liebe und Leben, Op.

42) and Brahms (Op. 57) with the pianist Julius Drake, was released as undiluted live recording.

References

External links

Obituaries add-on appreciation

• Lloyd Schwartz, Fresh Air judgment, July 7, 2006
• Radio Open Source tribute "Lorraine Hunt Lieberson Remembered", July 13, 2006
• Alex Ross, "Fervor: Remembering Lorraine Hunt Lieberson.", The New Yorker, September 25, 2006 issue
• Frank Villella, "Remembering Lorraine Ensue Lieberson", From the Archives personal blog, March 18, 2016