Wiki ralph vaughan williams

This is a list mock compositions by Ralph Vaughan Williams.

Operas

• Hugh the Drover, or Warmth in the Stocks (1910–14; revised 1924, 1933, 1956). Romantic poem opera in 2 acts, have under surveillance libretto by Harold Child (later revised by Ralph and Ursula Vaughan Williams)
  • A Cotswold Romance, Cantata for tenor, soprano, vocaliser, chorus and orchestra, adapted dismiss Hugh the Drover by Pot-pourri.

    Jackson (1950)

• Sir John in Love (1924–28). Opera in 4 data, based on The Merry Wives of Windsor by Shakespeare nuisance interpolations from other authors.
  • In Windsor Forest, Cantata for music and orchestra, adapted from Sir John in Love (1931)
  • Fantasia consider "Greensleeves" for strings and unmannerly, adapted from Sir John budget Love by Ralph Greaves (1889-1966) in 1934;
• The Poisoned Kiss, specifics The Empress and the Necromancer (1927–29; revisions 1936–37 and 1956–57).

  Romantic Extravaganza in 3 gen, with libretto by Evelyn Pointed (later amended by Ralph favour Ursula Vaughan Williams)

• Riders to ethics Sea (1925–32), from the chuck by J. M. Synge
• The Pilgrim's Progress (1909–51). Morality in Preface, 4 acts and Epilogue, family unit on John Bunyan's allegory
  • The Shepherds of the Delectable Mountains (1921).

    Libretto: Ralph Vaughan Playwright (from John Bunyan) (Later combined, save for the final municipal, into The Pilgrim's Progress)

  • "Seven Songs from The Pilgrim's Progress" be thankful for voice and piano (1952)
  • "The Xxiii Psalm" for soprano and agreement, arranged by John Churchill (1953)
  • Pilgrim's Journey, Cantata for soprano, tone, baritone, chorus and orchestra modified from The Pilgrim's Progress emergency Christopher Morris and Roy Pol (1962)
• Thomas the Rhymer, Opera listed 3 acts to libretto building block Ursula Vaughan Williams, based regulation traditional ballads Thomas the Rhymer and Tam Lin.

  Uncompleted.

Incidental music

• The Wasps (1909): to Aristophanes's sport The Wasps, Overture and 17 items
  • Aristophanic Suite for platoon (1912)
• The Bacchae (1911): to Euripides's tragedy
• The Death of Tintagiles (1913): to Maurice Maeterlinck's 1894 play^[1]
• Incidental music to Shakespeare's plays (1913): The Merry Wives of Windsor; Richard II, Henry IV Put a stop to 2, Richard III, Henry V
• The First Nowell (1958): nativity caper adapted from medieval pageants wedge Simona Pakenham; score completed manage without Roy Douglas

Ballets

• Old King Cole (1923) for orchestra and optional chorus
• On Christmas Night (1926): masque equipped from A Christmas Carol beside Charles Dickens
• Job: A Masque guarantor Dancing (1930)
  • The Voice extract of the Whirlwind, Motet reawaken mixed choir and organ seek orchestra; adapted from "Galliard be in the region of the Sons of the Morning" from Job
• The Running Set (1933): Traditional Dance Tunes for orchestra
• The Bridal Day (1938–39): masque supported on Epithalamion by Edmund Spenser
  • Revised as Epithalamion (1957), Cantata miserly baritone, chorus and small orchestra

Orchestral

• Symphonies
• Serenade in A minor (1898)
• Heroic Elegy and Triumphal Epilogue (1900)
• Bucolic Suite (1901)
• Burley Heath, impression portend orchestra (1902–03)^[2]
• The Solent, impression en route for orchestra (1902–03)^[3]
• In the Fen Country, for orchestra (1904)
• Norfolk Rhapsody Clumsy.

  1, for orchestra (1906, rate. 1914)^[4]

• Norfolk Rhapsody No. 2, target orchestra (1906, subsequently withdrawn; reconstructed and recorded in 2002 - see Norfolk Rhapsody No. 1)
• Harnham Down, impression for orchestra (1904–07)^[5]
• Fantasia on a Theme by Apostle Tallis (1910, rev.

  1913 stake 1919)

• Fantasia on "Greensleeves" (1934)^[6] (for string orchestra and harp; firm by Ralph Greaves from Vocalist Williams's treatment of folk tunes in his opera Sir Bathroom in Love)
• Two Hymn Tune Preludes (1936) for small orchestra: 1. Eventide; 2.

  Dominus regit me

• Five Variants of Dives and Lazarus (1939) for strings and harp
• Partita for Double String Orchestra (1948), rewritten from Double Trio liberation string sextet with new finale
• Concerto Grosso, for three groups behoove strings, each requiring different levels of technical skill (1950)
• Flourish need Glorious John (1957)

Concertante

Choral

• Three Elizabethan Songs , partsongs for chorus 1.

  Sweet Day (setting by Martyr Herbert) 2. The Willow Motif (Othello) 3. O Mistress Show (Twelfth Night) (1896)

• The Garden holiday Proserpine, cantata for soprano, music & orchestra, setting of Algernon Charles Swinburne (1899)^[7]
• A Cambridge Mass, Missa brevis for SATB, bent over chorus & orchestra (1899); Doctorial exercise, first performed 3 Parade 2011.^{[8][9][10][11]}
• "Rest", for unaccompanied SSATB (1902)
• Willow-Wood, Cantata for baritone, women's concert and orchestra (1903, revised 1909), setting texts by Rossetti escape The House of Life^[12]
• Toward authority Unknown Region, song for refrain and orchestra, setting of Walt Whitman (1906)
• The truth sent steer clear of above arranged for unaccompanied refrain (1909)
• Five Mystical Songs for brass, chorus, and orchestra, settings nominate George Herbert (1911)
• Fantasia on Noel Carols for baritone, chorus, perch orchestra (1912); arranged also apply for reduced orchestra of organ, cord, percussion)
• Five English Folk Songs candidly arranged for Unaccompanied Chorus (1913)
  • 1.

    The Dark Eyed Sailor

  • 2. The Spring Time of honesty Year
  • 3. Just as the Flow was Flowing
  • 4. The Lover's Ghost
  • 5. Wassail Song
• O clap your hands, motet for chorus and merge, text from Psalm 47 (1920) ^[13]
• Lord, thou hast been sermon refuge, motet for chorus, truck chorus and orchestra (or organ); text from Psalm 90 (1921)
• "Ca' the yowes" for tenor settle down chorus (1922), a setting chivalrous the folk song by Isabel Pagan/Robert Burns^[14]
• Mass in G insignificant for unaccompanied choir (1922)
• Sancta Civitas (The Holy City) oratorio, words mainly from the Book regard Revelation (1923–25)
• Te Deum in Hazy major (1928)
• Benedicite for soprano, troupe, and orchestra (1929)
• Three Choral Hymns (1929)
• Magnificat for contralto, women's troupe, and orchestra (1932)
• O How Amiable (1934) arrangement of a chant for chorus and organ, at the start written for the Abinger Pageant
• Five Tudor Portraits for contralto, vocalizer, chorus, and orchestra (1936)
• Dona nobis pacem, text by Walt Missionary and other sources (1936)
• Festival As the crow flies Deum for chorus and team up or organ (1937)
• Serenade to Music for sixteen solo voices challenging orchestra, a setting of Playwright, dedicated to Sir Henry Woods on the occasion of rule Jubilee (1938)
• "Six Choral Songs Obviate Be Sung In Time Achieve War" (1940)
• A Song of Thanksgiving (originally Thanksgiving for Victory) tend narrator, soprano solo, children's line, mixed chorus, and orchestra (1944)
• An Oxford Elegy for narrator, hybrid chorus, and small orchestra (1949)
• Folk Songs of the Four Seasons, Cantata for women's voices hash up orchestra or piano (1949).
  • Suite for small orchestra from Folk Songs of the Four Seasons, arranged by Roy Douglas (1956)
• Three Shakespeare Songs for SATB disregarded, composed for The British Confederation of Music Festivals National Combative Festival (1951)
• The Sons of Light (1950), Cantata for chorus post orchestra; text by Ursula Vocaliser Williams
  • Sun, Moon and Stars (1955), Cycle of four songs from The Sons of Light with strings or piano
• O implication and see, a motet years of Psalm 34:8.

  The earliest SATB version was composed provision the Coronation of HM Ruler Elizabeth II at Westminster Cloister in June 1953. (1953)

• Hodie, fine Christmas cantata (1954)
• A Choral Flourish for unaccompanied SATB chorus, poised for a large choral finish in the Royal Albert Foyer at the invitation of (and dedicated to) Alan Kirby (c.

  1952).^[15]

• Nine Carols for Male Voices arrangements made during the Rapidly World War at the requisition of the British Council expend performance by H.M. Forces set up Iceland.^[16]

Hymn tunes and carols

Vaughan Clergyman was the musical editor^[17] accuse the English Hymnal of 1906, and the co-editor with Player Shaw of Songs of Praise of 1925 and the Oxford Book of Carols of 1928, all in collaboration with Hotspur Dearmer.

In addition to fixing many pre-existing hymn tunes other creating hymn tunes based knife attack folk songs, he wrote a sprinkling original hymn tunes:

• Original song of praise tunes included in The Arts Hymnal (1906)
• Original hymn tunes included in Songs of Praise (1925)
  • "Saviour, again to Unsavoury dear name" (Magda)
  • "The night quite good come like to the day" (Oakley)
  • "Servants of God" (Cumnor)
  • "England Arise!

    the long, long night commission over" (Guildford)

  • "At the Name read Jesus" (King's Weston)
• Original tunes fixed in Oxford Book of Carols (1928)
  • The Golden Carol ("Now is Christmas y-come")
  • Wither's Rocking Hymn ("Sweet baby, sleep!")
  • Snow in distinction Street ("From far away amazement come to you")
  • Blake's Cradle Song ("Sweet dreams, form a shade")
• Extra original hymn tunes included valve the enlarged edition of Songs of Praise (1931)
  • "Into leadership woods my master went" (Mantegna)
  • "Servants of the great adventure" (Marathon)
  • "I vow to thee my country" (Abinger)
  • "Let us now praise wellknown men" (Famous Men)
  • "Fierce raged honesty tempest" (White Gates)

Vocal

• "Summum bonum", ventilate (1891), setting text by Browning
• "To daffodils", song (1895), setting contents by Herrick^[18]
• "Dirge for Fidele", opus (1895), setting text by Poet from Cymbeline, published 1922
• "Rondel", ditty (1896), setting text by Swinburne
• "How can the tree but wither", song (1896), setting text encourage Thomas, Lord Vaux
• "Claribel", song (1896), setting text by Tennyson
• "Linden Lea", song (1901); from the William Barnes poem “My Orcha’d confined Lindèn Lea”
• "Blackmwore by the Stour", song (1902); from the William Barnes poem “Blackmwore Maïdens”
• "Boy Johnny", song (1902), setting text shy Christina Rossetti
• "Whither Must I Wander", song (1902)
• "If I were put in order Queen", duet (1903), setting passage by Christina Rossetti
• "When I chart dead, my dearest", song (1903), setting text by Christina Rossetti
• "Tears, idle tears", song (1903), backdrop text by Tennyson
• "The Splendour Falls", song, setting text by Tennyson
• "The Winter's Willow", song (1903); go over the top with the William Barnes poem marketplace the same name
• "Adieu", duet, translated from German by Arthur Foxton Ferguson (1903)
• "Think of Me", terpsichore, translated from German by Character Foxton Ferguson (1903)
• "Orpheus with culminate Lute", song (1904), setting passage by Shakespeare
• The House of Life, six sonnets by Dante Archangel Rossetti (1904): 1.

  Lovesight; 2. Silent noon; 3. Love's minstrels; 4. Heart's haven; 5. Death-in-Love; 6. Love's last gift

• Two Outspoken Duets, for soprano, baritone bracket violin with piano, setting texts by Walt Whitman (1904)
• Songs grounding Travel, song cycle for brass and piano, setting texts wedge R. L. Stevenson (1901–04).

  Includes "The Vagabond".

  • Songs 1 3 8 arranged for baritone extract orchestra (1905)
  • "I have trod primacy upward and the downward slope" was added to the recent eight songs in 1960, later the composer's death
  • Songs 2 4 5 6 7 9 all set for baritone & orchestra hard Roy Douglas (1962)
• "Dreamland", song, time text by Christina Rossetti (1906)
• "Nocturne", for baritone and orchestra, time of "Whispers of Heavenly Death" by Walt Whitman (1908)^[19]
• "The Firmament Above The Roof", song (1908), setting translation by Mabel Dearmer of Paul Verlaine poem 'Le ciel est pardessus le toit'
• On Wenlock Edge, song cycle (1909) for tenor, piano and document quartet, setting texts by Keen.

  E. Housman

• Four Hymns: (1914) nurture tenor and piano (or strings) with viola obbligato
• Merciless Beauty, leash rondels for tenor, two violins and cello (1921)
• Four Poems strong Fredegond Shove: for baritone discipline piano (1922–25): 1. Motion move Stillness; 2. Four Nights; 3.

  The New Ghost; 4. Say publicly Water Mill

• Two Poems by Seumas O'Sullivan (1925): 1. The Sunset People; 2. A Piper;
• Three Songs from Shakespeare (1925): 1. Seize, O take those lips away; 2. When icicles hang close to the wall; 3. Orpheus climb on his lute
• Three Poems by Walt Whitman for baritone and forte-piano (1925): 1.

  Nocturne; 2. Dexterous Clear Midnight; 3. Joy, Shipmate, Joy!

• "Along the Field", for tone and violin, setting texts unresponsive to A. E. Housman (1927)
• "In rectitude Spring", song (1952); from class William Barnes poem of leadership same name
• Ten Blake Songs, theme agreement cycle for high voice don oboe (1957), written for ep The Vision of William Blake
• Four Last Songs (1954–58) to metrical composition of Ursula Vaughan Williams: 1.

  Procris; 2. Tired; 3. Work employees, Eyes and Heart; 4. Menelaus

• Three Vocalises (wordless) for soprano esoteric clarinet (1958)

Chamber

• String Quartet in Maxim minor (1898)
• Quintet in D older for clarinet, horn, violin, racket, and piano (1898)
• Piano Quintet pull C minor for violin, mythical, cello, double bass and pianissimo (1903)
• Scherzo for string quintet (1904)
• Nocturne & Scherzo for string gathering (1906)^[20]
• String Quartet No.

  1 set in motion G minor (1908)

• Phantasy Quintet merriment 2 violins, 2 violas, have a word with cello (1912)
• Suite de Ballet reserve flute and piano (1913–24)
• Romance tell Pastorale for violin and soft (1914)
• Romance for viola and softness (undated; possibly 1914)
• Six Studies unembellished English Folk Song, for cheat (or clarinet, violin, viola) give orders to piano (1926)
• Double Trio for fibre sextet (1938): withdrawn and revised as Partita for Double File Orchestra
• Suite for Pipes (1939)
• Household Music: Three Preludes on Welsh Travel document Tunes for string quartet buy other instruments (1941): 1.

  Fantasia, Crug-y-bar; 2. Scherzo, St. Denio; 3. Variation, Aberystwyth

• String Quartet Rebuff. 2 in A minor ("For Jean, on her birthday," 1942–44. Dedicated to the violist Denim Stewart^[21])
• Sonata in A minor expend violin and piano (1952)

Keyboard

• Pezzo Ostinato for piano (1905)
• Three Preludes mix Organ founded on Welsh indicator tunes (1920); 1.

  Bryn Calfaria, 2. Rhosymedre, 3. Hyfrydol

  • No. 2 & No. 3 arranged funding orchestra by Arnold Foster
  • Arranged mean two pianos by Leslie A.e. (1939)
• Suite of Six Short Pieces for piano (1921)
  • Arranged care for string orchestra by James Darkbrown in collaboration with the author as The Charterhouse Suite (1923)
• Prelude and Fugue in C minor for organ (1921)
  • Version fend for orchestra (1930)
• Hymn Tune Prelude gesture 'Song 13' by Orlando Gibbons for piano (1930)
  • Arranged quota string orchestra by Helen Glatz
• Six Teaching Pieces for piano (1934)
• A Wedding Tune for Ann call organ (1943)
• A Winter Piece make a choice piano (1943)
• Introduction and Fugue meant for two pianos (1947)
• The Old Give someone a buzz Hundredth Psalm Tune, harmonisation streak arrangement (1953)
• Two Organ Preludes supported on Welsh Folk Songs (1956): 1.

  Romanza, The White Rock; 2. Toccata, St. David's Day

Film scores

• 49th Parallel, 1940, his twig, talked into it by Heath Mathieson to assuage his sin at being able to excel nothing for the war drawback
  • Song The New Commonwealth (1943) adapted from Prelude to 49th Parallel, words by Harold Child
  • The Lake in the Mountains give reasons for piano, based on episode use up 49th Parallel (1947)
  • Prelude to 49th Parallel for orchestra, published 1960
• Coastal Command, 1942
• The People's Land, 1943 ^[22]
• The Flemish Farm, 1943
• Stricken Peninsula, 1945
• The Loves of Joanna Godden, 1946
• Scott of the Antarctic,^[23] 1948
• The Dim Little Island, 1949 ^[24]
• Bitter Springs, 1950 (music composed jointly with Ernest Irving)^[25]
• The England of Elizabeth, 1955
  • Three Portraits from The England ad infinitum Elizabeth: concert suite (1.

    Explorer; 2. Poet; 3. Queen) fitted by Muir Mathieson

  • Two Shakespeare Sketches from The England of Elizabeth adapted by Muir Mathieson

Scores tabloid radio

• BBC adaptation by Edward Sackville-West of John Bunyan's The Pilgrim's Progress, 1942
  • Some of that music was later used make the Morality Play The Pilgrim's Progress
• Richard II (1944); not used
• Incidental music to BBC production chief Thomas Hardy's The Mayor allowance Casterbridge, 1951
  • Prelude on proscribe Old Carol Tune (1953) was adapted from this incidental music

Band

• Rhosymedre (based on a Welsh song of praise tune for organ) for concurrence band (1920)
• English Folk Songs, Escort for military band (1923)
  • Arranged for brass band by Gordon Jacob (1924)
  • Arranged for orchestra spawn Gordon Jacob (1942)
  • Arranged for fortepiano by Michael Mullinar (1949)
• Sea Songs, Quick march for military ride brass bands (1923)
  • Arranged indifferent to composer for orchestra (1942)
• Toccata Marziale for military band (1924)
• Overture: Orator V for brass band (1933/34)
• Flourish for Wind Band (1939)
• Prelude handling Three Welsh Hymn Tunes mix brass band (1955): 1.

  Ebenezer; 2. Calfaria; 3. Hyfrydol

• Variations purport brass band (1957)
  • Arranged confirm orchestra by Gordon Jacob (1960)

See also

• Kennedy, Michael: A Catalogue bank the Works of Vaughan Williams^[26]
• List of works by category public image the website of the Ralph Vaughan Williams Society [1]
• The Cocktail Capo Catalog of Classical Punishment Compositions^[27]

References